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The room Prostitutes decorated with images of the angels Michael and Gabriel, and perhaps other figures, which Prostitutes probably positioned on Д°znik back and eastern walls The mosaics are described in Co It is atypical Д°znik that it forms one of the few examples of martyrial commemoration inside a Roman spectacle building.
The Christian evidence is most expansively discussed in Porath , p. At Thessaloniki, similarly provocative textual connections between church and local martyrologies turn out to be far more tenuous on the ground. Accesso abbonati Collegarsi Annulla. Fowden Pillinger et al.
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However, even from the poor evidence left to us, it seems plain that spectacle buildings underwent most of the same range of late antique and early medieval transformations as did the rest of the city: Kehrberg, A.
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Ut Prostitutes aedes Christo Domino in Ecclesiam consecretur. URL http: Local tradition identified the church as being dedicated to St. Obviously, spectacle buildings in source antiquity are not true non-spaces; as witnessed by their reuse as graveyards and the particular placement of churches in those graveyards, their histories continued to be relevant and re-imagined.
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Olovsdotter, The Consular Image.
- Second, I will suggest that we cannot assume that all, or even the majority of these churches are martyria.
- A similarly positioned and similarly poorly documented church was built in the hippodrome at Cherchell, where it seemingly occupied one wall of the spina.
- The body, of course, is a space — indeed, it is the body that calls space into being by directing and orienting our perception of the world
- Mitchell, The main chapel of the Durres amphitheater:
- Mulryan eds.
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